A national nonprofit media arts organization: American Documentary ―

Striving to make essential documentaries accessible as a catalyst for public discourse. AmDoc collaborates with passionate filmmakers to amplify their voices, and to nurture the nonfiction community.

American Documentary: New Forms of Nonfiction to create and advance experiential forms of storytelling, programming and distribution; redefining U.S. public media to be more inclusive of emerging technologies and interactive makers.

American Documentary
A national nonprofit media arts organization, American Documentary (AmDoc) strives to make essential documentaries accessible as a catalyst for public discourse.

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'Change the World': Top 100 Documentaries that Can Make a Difference —

A more beautiful, just and sustainable world is possible . This library film collection is inspirational for a possible global change. Curated by Films For Action via filmsforaction.org / Documentaries have an incredible power to raise awareness and create transformative changes in consciousness both at the personal and global levels. Cocoparisienne Images/Pixabay Over the years, the curators of Films for Action have watched hundreds of social change documentaries and cataloged the best of them on their site. This is a Top 100 from a huge list, a collective of the very best 100 docs - hand-picked for their quality, insight, and potential to inspire positive change: The Top 100 Documentaries We Can Use to Change the World Save Last updated September 2018. Documentaries have an incredible power to raise awareness and create transformative changes in consciousness both at the personal and global levels. Over the last 8 years, we've watched hundreds of social change doc...

Getting the Documentary Treatment: Tina Turner

Cannes: Tina Turner Doc in Works from 'Man on Wire' Producers The film — heading to the market in Cannes — will be the first to tell the story of the iconic 'What's Love Got to do With It' singer. Dan Lindsay and T.J. Martin, the filmmakers behind the Emmy-winning LA 92 and Oscar-winning Undefeated, are reuniting with Lightbox, co-founded by Oscar-winning producer Simon Chinn (Man on Wire, Searching for Sugar Man, Whitney) and Emmy-winning producer Jonathan Chinn (LA 92, Fantastic Lies, Whitney) to tell the full story — for the first time — of the global icon and undisputed Queen of Rock and Roll. Altitude Film Sales is introducing the feature documentary Tina Turner (working title) to buyers at Cannes with Altitude Film Distribution acquiring distribution rights for the U.K. and Ireland. CAA has come on board to co-represent the domestic rights with Endeavor Content. The film goes into production this summer . Altitude has previously partnered with Lightbo...

Yes, This is a True Story: 'Film Threat Sucks'

Film Threat’s mission: to champion up and coming indie filmmakers while giving a middle finger to the Hollywood establishment. Sometimes hilarity ensues. Threat began as a xeroxed fanzine started by Chris Gore and Andre Seewood in 1985. Only 500 copies of the first issue were printed and then distributed on the campus of Wayne State University on February 6th, 1985. It was on that campus that Gore and Seewood earned a reputation as disruptors by playing pranks on the film department and even going so far as to fake Gore’s death to promote a film screening. Seewood left after a year and Gore continued to grow the magazine beyond its xeroxed roots into a fully printed magazine. Chris Gore moved the magazine to Los Angeles in 1989 and opened an office at the Cherokee Building on Hollywood Boulevard. In 1991, Larry Flynt acquired Film Threat which then split into two magazines – Film Threat was owned by LFP and Gore continued to champion underground filmmakers in the pages of the ...

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